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Berezkin/Duvakin Catalogue of Motifs

English translation, enhancements and additional metadata by Jonathan Fielder-White

Source: Berezkin and Duvakin's Analytical Catalogue · Original catalogue (Russian)

About the catalogue and its sources

Unless otherwise stated, narrative and tradition data comes from Berezkin and Duvakin's Thematic classification and distribution of folklore and mythological motifs by area (Analytical catalogue).

Original Berezkin/Duvakin catalogue (Russian)

The English translation uses AI assistance alongside manual verification. Errors may occur; consult the original source when in doubt.

J - Avenger heroes

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Ref Title Summary Traditions Narratives ▲
J32b In J32 family Extended night. In order to accomplish what he wants, the hero prolongs the night by changing the behaviour of the character on whom the alternation of day and night depends. 10 12
J35 The frog kills its pursuer. A tree frog kills or neutralises a demon or beast pursuing the heroes. 12 12
J40A In J40 family Avenged captives. Returning after a long absence, the hero finds his parents or other close relatives in humiliating slavery, orders them to demonstratively show disobedience, and punishes those who humiliated them. 22 12
J41b In J41 family The returned son burns his tormentors with magic. The son returns, finds his mother, who was humiliated and tortured in his absence, and burns his tormentor and his men, summoning fire and heat with magic. 10 12
J68 First old, then fresh droppings on the trail. Characters who have been chasing an animal for a long time see increasingly fresh droppings on the trail and finally catch up with their prey (usually the droppings correspond to how long they have been lying there); or the pursuers see areas where less time has passed since sowing. 7 12
J7a In J7 family Bringing lunch to father. A girl (less often a boy) brings lunch to her father or brothers who are working in the field (in the forest), but encounters a demonic character. 11 12
J23a In J23 family Snot turns into a boy. A woman cries, and the discharge from her nose (her tears) turns into a boy, who grows up and defeats strong opponents. 9 13
J29 The shadow of the father. Murdered parents themselves inform their children about the circumstances of their death. 13 13
J62a In J62 family Turned into trees. The character turns those who come to him into plants (trees, flowers). The hero (heroine) remains alive and breaks the spell on those who have been transformed. 17 13
J69 Murders in jest and in earnest. A person is killed (with a cold weapon, dead water) and then revived. Another person asks for the same thing to be done to him, but is not revived. 11 13
J26a In J26 family Boys and puppies. Among children of a woman or two women living together, there is a boy and a puppy, or a puppy was placed with a woman, and her son was thrown out. The puppy lives with the woman and helps her. 14 14
J27b In J27 family Water Father. An infant is thrown into a lake or river and occasionally comes ashore. In addition to his earthly parents, he has a father (and mother) in the underwater world. He does not want to part with them, nor do they want to let him go. 16 14
J32c In J32 family The demon comes to harm the deceased. At night, a demonic character comes to the grave of the deceased, intending to harm him. 13 14
J34 Grandchildren scare their grandmother. After killing a dangerous enemy, the heroes make a scarecrow out of him to frighten the household. 11 14
J41 Foxes mock the abandoned. The hero leaves for a long time. When he returns, his relative does not immediately believe that it is really him. All this time, someone has been mocking him or her, imitating the voice of the departed, saying that he has returned and/or throwing ashes in his or her face. 14 14
J49 The Moon's wife falls down. The wife and/or sister of the Moon unsuccessfully tries to climb up to him in the sky or reaches him but returns to earth. 10 14
J8 Feathers at the crossroads. A woman or girl sets out in search of a husband (fiancé, etc.). Bird feathers left on the trail, at a crossroads or near a dwelling mark the right or wrong path. See motif J7. 21 14
j1c In j1 family Avenging heroes - with a missing or distorted final part of the plot (revenge is not described). Avenging heroes - with a missing or distorted final part of the plot (revenge is not described). 13 15
J22d In J22 family Animals cut in half. Foreigners or animals of two different species emerge from a single person or animal cut in half. 11 15
J22e In J22 family Man from the afterbirth, T541.12. The second character emerges from the afterbirth of the first. 17 15
J59b In J59 family The arrow falls, the dead person comes back to life. To revive the dead, the character shoots an arrow into the sky or throws an object. It is assumed that the dead, fearing the falling object, will come back to life and run away. 11 15
J15a In J15 family Woman among the Jaguars. Setting off on a journey (usually in search of a fiancé, husband, or relatives), a woman finds herself in the lair or settlement of large dangerous predators - pumas or jaguars. See motif J15. 18 16
J39 Who killed the rabbit? The antagonist makes the woman his slave. Other characters secretly come to her and kill a small animal or bird for her. The antagonist suspects that the woman could not have caught the game herself, but she insists that she did. 20 16
J10 Wasp sting. A woman loses her way after being stung by a wasp (or bee, ant, snake). She slaps her stomach (either to kill the insect or to punish her unborn sons, because of whom she went to pick a flower and was stung; see motif J11). The offended sons fall silent, ceasing to show the way. See motif J9. 14 17
J19a In J19 family Placing food on the stomach. When a woman is left alone, a demonic character comes to her. He says that in order to perform certain actions, she must give him a certain part of her body, even though this contradicts logic and custom. After that, the character kills her (cuts open her stomach; tears out her tongue). 10 17
J2 Tree husband. Husband or lover – tree (temporarily transformed into a human). 12 17
J53c1 In J53 family Grizzly bear and black bear. Two women live together, both have children. One of them kills and (then) eats the other. The killer is associated with a grizzly bear, and the victim with a smaller species of bear. 11 17
J11 Asks to pick flowers. The son in his mother's womb asks her to pick flowers or fruit for him (usually when a woman picks flowers, she is bitten by an insect). See motif J9. 19 18
J12b In J12 family Honey groom. A honey groom or a skilled honey gatherer is attractive to a girl. 7 18
j1d In j1 family Heroic avengers - Like J1D, but the role of potential heroes is reduced to a minimum: a woman with a baby is saved from the antagonist and receives help from <i>the patron </i>. Heroic avengers - Like J1D, but the role of potential heroes is reduced to a minimum: a woman with a baby is saved from the antagonist and receives help from the patron . 13 19
J22b In J22 family Two women from one. A woman is cut or torn in half, and two new ones appear. 11 19
J52a In J52 family Antagonist – female bear. A she-bear or bear treacherously kills his companion, neighbour, etc., who is associated with a herbivorous animal or a weaker predator. The victim's children take revenge by killing the murderer's children or flee. See motifs J52, J54. 36 19
J63 The son saves, the daughter betrays. Enemies arrive and tie up the husband. The wife agrees to live with the new man, while the former lies bound. One character (usually the daughter) refuses to free him, while another (usually the son) frees him. The husband kills the enemies and usually brutally executes (the daughter and) his wife. 16 19
j1b In j1 family Heroic avengers - with a missing or altered plot start: it is unclear whether the characters with whom the heroes live are their real or adoptive parents; the hero's mother herself tries to destroy him in infancy. Heroic avengers - with a missing or altered plot start: it is unclear whether the characters with whom the heroes live are their real or adoptive parents; the hero's mother herself tries to destroy him in infancy. 11 20
J32e In J32 family Stolen Foals. Every time a mare foals, the foal is stolen. The hero finds out who is doing this. 18 20
J53 Fawns and bear cubs The children of a character associated with a hoofed animal (deer, antelope) come into conflict with an enemy associated with a predator or a larger hoofed animal. They kill his children and/or run away from him. See motif J52. 28 20
J16 Refuses to eat insects. The character perishes because, being forced to look for insects in the head of another, he refuses to chew insects, spits them out in disgust, or is suspected of doing so. 15 21
J54b In J54 family Mother's enemy and brother's ally. The antagonist's son and the hero are half-brothers or full brothers (uncle and nephew; sworn brothers). When the antagonist tries to destroy the hero, the antagonist's son takes the hero's side. 26 23
J60 Sons of two fathers. A woman conceives twins from two different fathers. 17 23
J23D In J23 family Late twins defeat the monster. People in general or older brothers (siblings, older sister) disappear one after another. A woman raises two twins (or several children) from infancy. They defeat their antagonists, usually reviving or freeing those who have disappeared. 16 24
J41d In J41 family Throwing a stick, he exposes his forehead. The strongman orders an iron club (sword, etc.) of monstrous size to be made, but breaks it and demands a new one, even heavier (often throwing it into the air and exposing his forehead, etc. – the club breaks). 17 24
J53b In J53 family The breasts of a murdered mother. Two women live together, both have children. One of them leaves the house with the other, kills her, brings her meat home and starts cooking it. The children of the deceased notice their mother's breasts (in California – eyes or liver), or the mother's breasts themselves turn to her children. 17 24
J54a In J54 family The Calf and the Tiger Cub, ATU 131. Two women, both or one of whom are animal characters, live together and have children. One of them kills and eats the other or is about to do so. The son of the murderer kills his mother for this, remains the sworn brother of the son of the murdered woman, or the children of the murderer and the victim run away together. Cf. motif J54B. 18 24
J12H In J12 family Opossum. The false groom - the opossum. 14 25
J41c In J41 family Trials before meeting the antagonist. The character goes to fight a dangerous enemy. Along the way, he is given tasks to complete. This is a sign that he will defeat his enemy. Usually, the same tasks were previously given to another character who was unable to complete them and was defeated by the enemy. 23 25
J48 The parrot cuts the rope. A character climbs up to the sky or descends from the sky to the ground on a rope. A parrot cuts the rope, and the character falls. 10 25
J12d In J12 family Kills a rival. After a girl marries a worthy suitor, the rejected suitor or his relatives kill the rival. See motif J12. 32 27
J18a In J18 family Mother eaten, children flee. A cannibal eats a woman and enters her house. The woman's children (daughter and son, or daughter only) run away, climb a tree or climb a rope to the sky. The cannibal pursues them and perishes. 15 27
J33 Scarecrow. A boy, a young man, or two children live in the house of an older character. In order to elicit a certain reaction from him, they kill a person or a large animal, stuff the scarecrow with insects, worms, ashes, grass, or inflate it. 17 27
J38 Stuck claws. A mighty bird sinks its claws into a huge aquatic creature. The claws get stuck in its body. The bird is dragged underwater or struggles to free itself. 24 27

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Tradition and narrative counts are the stored catalogue totals for each entry.