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Berezkin/Duvakin Catalogue of Motifs
English translation, enhancements and additional metadata by Jonathan Fielder-White
Source: Berezkin and Duvakin's Analytical Catalogue · Original catalogue (Russian)
About the catalogue and its sources
Unless otherwise stated, narrative and tradition data comes from Berezkin and Duvakin's Thematic classification and distribution of folklore and mythological motifs by area (Analytical catalogue).
Original Berezkin/Duvakin catalogue (Russian)
The English translation uses AI assistance alongside manual verification. Errors may occur; consult the original source when in doubt.
J - Avenger heroes
| Ref | Title ▲ | Summary | Traditions | Narratives |
|---|---|---|---|---|
| J23b In J23 family | Spears are placed along the path. | To defeat the monster, the young man (twins) prepares spears in advance and leaves them along the supposed retreat route. Fleeing from the monster, the young man throws spears at it one after another and eventually kills it. | 7 | 8 |
| J12I In J12 family | Spitting beads. | A desirable marriage partner secretes beads instead of saliva or excrement. See motifs J12 and M57. | 12 | 2 |
| J32f In J32 family | Stolen apples. | While standing guard, the hero discovers who is stealing fruit (usually apples) from the garden. | 61 | 85 |
| J32e In J32 family | Stolen Foals. | Every time a mare foals, the foal is stolen. The hero finds out who is doing this. | 18 | 20 |
| J67 | Stones on the eyes. | At night, the character places light-coloured stones or shells over his eyes. Thinking that the character's eyes are open, the antagonist either does not dare to attack him or takes the stones away instead of gouging out his eyes. | 9 | 11 |
| J38 | Stuck claws. | A mighty bird sinks its claws into a huge aquatic creature. The claws get stuck in its body. The bird is dragged underwater or struggles to free itself. | 24 | 27 |
| J7 | Substituted signs. | A woman or girl sets off to her husband (beloved) or relatives, or a man sets off to find a bride. She or he loses their way after a certain character substitutes the signs indicating the way. See motif J12. | 46 | 50 |
| J59b In J59 family | The arrow falls, the dead person comes back to life. | To revive the dead, the character shoots an arrow into the sky or throws an object. It is assumed that the dead, fearing the falling object, will come back to life and run away. | 11 | 15 |
| J53b In J53 family | The breasts of a murdered mother. | Two women live together, both have children. One of them leaves the house with the other, kills her, brings her meat home and starts cooking it. The children of the deceased notice their mother's breasts (in California – eyes or liver), or the mother's breasts themselves turn to her children. | 17 | 24 |
| J54a In J54 family | The Calf and the Tiger Cub, ATU 131. | Two women, both or one of whom are animal characters, live together and have children. One of them kills and eats the other or is about to do so. The son of the murderer kills his mother for this, remains the sworn brother of the son of the murdered woman, or the children of the murderer and the victim run away together. Cf. motif J54B. | 18 | 24 |
| J6 | The children of the murdered woman grew up in the house of their antagonists. | A pregnant woman is killed (and eaten). Twins are taken from her womb, who are usually also destined to be eaten, but they escape, live (secretly) in the house of their antagonists, and take revenge on them. | 32 | 50 |
| J65 | The children of the Sun destroy their enemies. | After the attack by enemies, a woman and her daughter remain. She rejects the marriage proposals of animal suitors and agrees to give her daughter to the heavenly deity (the Sun). The children from this marriage take revenge on their enemies. | 6 | 7 |
| J44 | The collapsed bridge. | The hero lures the enemy onto a rickety bridge. The enemy falls into the water, into the abyss (see motif J46). See motif J52. | 108 | 164 |
| J32c In J32 family | The demon comes to harm the deceased. | At night, a demonic character comes to the grave of the deceased, intending to harm him. | 13 | 14 |
| J46 | The enemy drowns. | Antagonists perish by falling into water or attempting to cross a water barrier. See motifs J42, J44. | 184 | 226 |
| J12j In J12 family | The false suitor turns out to be a jester. | A girl or sisters end up with a false groom who plays the role of a jester in the chief's house. See motif J12. | 18 | 1 |
| J50b In J50 family | The father remains half-dead. | The father (alone or with his brother) is only partially resurrected and is unable to live among people (he cannot be a warrior). The hero leaves him (in another world) or allows him to die completely. | 10 | 8 |
| J14 | The flute player. | To find the man of her dreams, a woman follows the sounds of music or singing; she usually distinguishes imposters by listening to their clumsy performance. See motif J12. | 17 | 7 |
| J35 | The frog kills its pursuer. | A tree frog kills or neutralises a demon or beast pursuing the heroes. | 12 | 12 |
| J12k In J12 family | The groom and the deceiver live in the same house. | Desirable and undesirable marriage partners live in the same house. The undesirable partner is a servant or junior partner, usually pretending to be the master. | 1 | 1 |
| J51a1 In J51 family | The helper girl: dismembered and reassembled. | To retrieve an object from a hard-to-reach place, the girl orders it to be dismembered (or just have its fingers cut off) and then reassembled, after which it comes back to life. | 15 | 45 |
| J12l In J12 family | The hypocritical murderer. | The murderer pretends to mourn the victim along with everyone else. The deception is revealed, and the murderer is pursued. See motif J12. | 10 | 6 |
| J54 | The last female escapes. | The heroes of the narrative exterminate animals or demons of a certain species. This species could have disappeared altogether if one or more individuals (often a pregnant female) had not been saved. {This motif does not include aetiological endings, according to which the current creatures of a certain species originate from a dismembered original creature}. | 53 | 69 |
| J45 | The leg serves as a bridge, R246. | The character extends his leg (dafla: arm; upper tanana: tail) or neck as a bridge across a water barrier. Usually, those being pursued or walking ahead cross such a bridge to the other side, while the pursuer or those walking behind fall into the water because the character removes his bridge. See motif J44. | 67 | 85 |
| J62b1 In J62 family | The mistress of the island turns men into animals. | A sorceress living on an island turns men into animals. | 4 | 4 |
| J49 | The Moon's wife falls down. | The wife and/or sister of the Moon unsuccessfully tries to climb up to him in the sky or reaches him but returns to earth. | 10 | 14 |
| J1A In J1 family | The myth of the avengers with a full plot | 153 | 297 | |
| jia | The myth of the avengers with a full plot. | The myth of the avengers with a full plot. | 0 | 0 |
| J48 | The parrot cuts the rope. | A character climbs up to the sky or descends from the sky to the ground on a rope. A parrot cuts the rope, and the character falls. | 10 | 25 |
| J32d In J32 family | The Princess in the Tower, ATU 530. | The girl will be won by the one who, on horseback or by some other means, quickly reaches a hard-to-reach place (the top of a tower, a mountain, the upper floor of a palace, the top steps of a staircase, a bridge, the bottom of a chasm, jumps over a moat, etc.). Usually, the girl herself is located where the suitor must climb or (rarely) descend. In Italian versions, the hero wins tournaments. | 66 | 101 |
| J47 | The pursuer falls from a height. | A character climbs up to the sky using a rope, ladder, etc., or climbs a tree or rock, or descends from the sky to the ground, or rises to the ground from the underworld. Another character climbs after them, but the rope or ladder breaks or is cut, and the character falls. | 96 | 168 |
| J27a In J27 family | The rejected child kills his father. | One of the babies is abandoned and lives in a river, forest, etc.; the other remains at home; after the abandoned brother returns home, the brothers kill their father or his men. See motifs J19, J25. | 6 | 9 |
| J41b In J41 family | The returned son burns his tormentors with magic. | The son returns, finds his mother, who was humiliated and tortured in his absence, and burns his tormentor and his men, summoning fire and heat with magic. | 10 | 12 |
| J15 | The road to the home of dangerous creatures. | Having set out in search of their husband, relatives, etc., a woman, girl or children accidentally take the wrong road and encounter creatures that kill or harm them. | 86 | 136 |
| J29 | The shadow of the father. | Murdered parents themselves inform their children about the circumstances of their death. | 13 | 13 |
| J20 | The sinister guest: the broken taboo. | While the husband or brother is hunting, an evil spirit comes to his wife or sister; he kills or maims her or her brother after she breaks the taboo of opening the door to the guest, looking at him or talking to him. See motif J19. | 14 | 1 |
| J19 | The sinister guest: the death of a woman. | While her husband or brother is hunting, an evil spirit comes to his wife or sister; he kills her or takes her away. Her sons, who were torn from her womb or born at that time, are saved. | 26 | 36 |
| J63 | The son saves, the daughter betrays. | Enemies arrive and tie up the husband. The wife agrees to live with the new man, while the former lies bound. One character (usually the daughter) refuses to free him, while another (usually the son) frees him. The husband kills the enemies and usually brutally executes (the daughter and) his wife. | 16 | 19 |
| J66 | The straps are bitten through. | The character cuts or bites through bowstrings and other straps in advance, punctures boats, preventing opponents from fighting or pursuing him. | 63 | 82 |
| J56 | The trial of the sons. | A son or sons come to their father. He subjects them to trials in order to find out whether they are really his children. | 24 | 49 |
| J28a In J28 family | The truth about the father. | When asking how one of his parents died, the hero receives a series of false answers. He often exposes himself to the same dangers, but remains alive, proving the falsity of the proposed versions. | 21 | 31 |
| J55 | The unrecognised hero encounters enemies. | The hero encounters characters who, not recognising him, say that they are waiting for so-and-so (naming him) to kill him. He easily kills them or turns them into animals. | 43 | 56 |
| J23c In J23 family | The younger brother defeats the monster, ATU 312D. | People in general or older brothers (siblings, older sister) disappear one after another. A woman raises a boy from infancy or, left alone, miraculously conceives a son or finds a baby. He defeats the antagonists, usually reviving or freeing the missing ones. | 107 | 122 |
| J62b In J62 family | Those transformed into animals are disenchanted. | The character turns those who come to him into animals. Thanks to the hero, they are disenchanted. | 9 | 10 |
| J58a In J58 family | Three wizards by the river. | To cross the river, each of the three men uses his own magical method. | 8 | 7 |
| J41d In J41 family | Throwing a stick, he exposes his forehead. | The strongman orders an iron club (sword, etc.) of monstrous size to be made, but breaks it and demands a new one, even heavier (often throwing it into the air and exposing his forehead, etc. – the club breaks). | 17 | 24 |
| J19c In J19 family | Torn out tongue. | A demonic character comes to a woman and tears out her tongue. She dies (and comes back to life when her tongue is found and returned). | 4 | 7 |
| J56a In J56 family | Transformation into frying pans. | Heroic brothers are transformed into pots or frying pans, but only the elder is able to sit in the fire long enough. | 3 | 5 |
| J2 | Tree husband. | Husband or lover – tree (temporarily transformed into a human). | 12 | 17 |
| J41c In J41 family | Trials before meeting the antagonist. | The character goes to fight a dangerous enemy. Along the way, he is given tasks to complete. This is a sign that he will defeat his enemy. Usually, the same tasks were previously given to another character who was unable to complete them and was defeated by the enemy. | 23 | 25 |
Tradition and narrative counts are the stored catalogue totals for each entry.