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Berezkin/Duvakin Catalogue of Motifs
English translation, enhancements and additional metadata by Jonathan Fielder-White
Source: Berezkin and Duvakin's Analytical Catalogue · Original catalogue (Russian)
About the catalogue and its sources
Unless otherwise stated, narrative and tradition data comes from Berezkin and Duvakin's Thematic classification and distribution of folklore and mythological motifs by area (Analytical catalogue).
Original Berezkin/Duvakin catalogue (Russian)
The English translation uses AI assistance alongside manual verification. Errors may occur; consult the original source when in doubt.
L - Adventures: Monsters and evil spirits
| Ref ▲ | Title | Summary | Traditions | Narratives |
|---|---|---|---|---|
| L85b1 In L85 family | Ascending to heaven, he regains his physical wholeness. | After ascending to the sky (meeting God, returning from the sky to earth), a physically disabled young man (usually with only half a body) becomes whole. | 16 | 20 |
| L85c In L85 family | Polukurochka, B171.1, ATU 715. | A character with half a body – a hen, a chick. Sometimes it is only a name, and the character's appearance is more anthropomorphic. | 23 | 28 |
| L85d In L85 family | Without arms and legs: the crippled ploughman. | The hero encounters a giant and a strongman (usually a ploughman) with one arm, one leg, or one eye. He was crippled by a character who turned out to be much bigger and stronger than him. | 9 | 13 |
| L85e In L85 family | Temporarily splits in two. | The character is temporarily split vertically into two halves and then rejoined. | 2 | 3 |
| L85F In L85 family | One-legged. | The character has only one leg (and one arm), which does not prevent him from moving. Unlike motif L85 (half-creatures), the character has a complete body, not divided in half vertically. | 39 | 43 |
| L86 | Children run away from their demon mother. | Having turned into a demon, a woman pursues her children. Cf. motif K102a2: A mother seeks to destroy her son (children) because he interferes with her love affair and/or sides with his father in a conflict between his parents. | 26 | 38 |
| L87 | He who has tasted blood becomes a cannibal. | A character accidentally tastes blood or human flesh, after which he devours himself and/or others. | 31 | 31 |
| L88 | The demon comes to life from touch. | A man kills a demon, but when he touches its remains some time later, it comes to life. | 8 | 11 |
| L89 | One secretly feeds another. | One person, wishing to harm another, secretly gives him certain food to eat or a certain object to use. As a result, the other person dies (usually undergoing a metamorphosis). Cf. motif K82a. | 18 | 16 |
| L90 | Mouth to the sky. | One lip (one fang, horn, etc.) of the creature reaches the sky, while the other drags along the ground. | 61 | 103 |
| L90a In L90 family | A hut on chicken legs. | Describes a house that stands on the legs or a single leg of a bird or small animal and/or rotates (is capable of turning). | 23 | 70 |
| L90b In L90 family | Fangs reaching the sky and the earth. | One tooth (fang) of the creature touches the sky, the other reaches the earth or the underworld. | 6 | 14 |
| L90c In L90 family | Horns reaching the sky and the earth. | One horn of an animal (deer, ram, bull, goat, wolverine) touches the ground, while the other is raised to the sky or reaches the sky. | 8 | 8 |
| L90d In L90 family | Lips nailed to the sky and the earth. | The hero attaches the upper lip (jaw) of the monster to the sky, and the lower lip to the earth. | 4 | 3 |
| L90E In L90 family | Heads on stakes. | Human heads are impaled on stakes outside the house of a dangerous character, and one head is missing (or there is a wall of heads, with one missing). It is assumed that the head of the hero of the story should be there. | 26 | 30 |
| L91 | The Long Serpent. | Two or four young men go on a journey or return from one. Their path is blocked by a long creature that cannot be bypassed. They burn a passage through it. One eats roasted meat, turns into a snake himself, or dies. See motif L28. | 7 | 1 |
| L92 | Imaginary help to a cannibal. | A demon, a cannibal, chops down a tree or rock on top of which the hero has climbed. Another character offers the cannibal a rest and takes over the chopping, but only spoils his work or (among the Athapaskans) kills him as soon as the cannibal hands him his axe. (African variants are clearly borrowed from Eurasia). | 30 | 48 |
| L93 | The discarded axe. | A demon, a man-eater, chops down a tree or a rock on top of which the hero is hiding. While he is resting, the animal throws his axe into the water, carries it away or damages it. See motif L92. | 17 | 7 |
| L93a In L93 family | The fox as helper. | The fox, jackal or coyote, resorting to cunning, helps the hero, heroine or people in general, saving them. | 162 | 324 |
| L93b In L93 family | The hare as helper. | The hare or rabbit, resorting to cunning, helps the hero or heroine, saving them. | 30 | 53 |
| L93c In L93 family | The monkey helper. | The monkey, resorting to cunning, helps the hero or heroine, saves them. | 13 | 11 |
| l93d In l93 family | The hedgehog as helper. | The hedgehog, resorting to cunning, helps the hero and saves him. | 4 | 5 |
| L94 | Promised to the demon. | A demon or animal helps a person or agrees to let them go, but in return takes a promise to give them a daughter or son. | 151 | 328 |
| L94a In L94 family | Grabbed by the beard. | When a person leans over the water, a demon grabs him by the beard and releases him on the promise that he will fulfil his demand. | 39 | 56 |
| L94b In L94 family | Give back what you don't know at home! | A person promises to give to a supernatural character the first thing that comes their way (either something they have not yet seen in their own home, or something that is behind the door, etc.). The person thinks that they will have to give something of little value, but it turns out to be their own child. | 55 | 117 |
| L94b1 In L94 family | The demon collects the riches back into the box. | A man receives a box (bag, horn, etc.) as a gift, which he must open only at home. Driven by curiosity, he opens it on the way, and everything that should make him wealthy (houses, livestock, etc.) spills out. The demon who appears agrees to return everything, but sets a condition, the severity of which the man does not immediately understand. | 36 | 43 |
| L94c In L94 family | Son or daughter sacrificed. | If a deity grants victory, a person promises to sacrifice to it the first person who comes out to meet them at home. A son or daughter comes out. | 4 | 5 |
| L94d In L94 family | The tale with a tail. | A demonic character accuses a man of stepping on (tearing off) the tail of a fairy tale. Cf. motif K100E, "Dangerous Fairy Tales". | 3 | 3 |
| L94e In L94 family | White wolf. | A supernatural character who helps the hero or heroine under certain conditions – the white wolf. | 10 | 11 |
| L95 | Returning for toys. | A person (usually a child or teenager) returns to a previous location for a forgotten item (often a toy) and finds a demon there, from which they struggle to escape. | 30 | 31 |
| L95a In L95 family | Light on water. | A person sees lungs or a liver lying on the ground or floating in the water. As soon as he touches them, a demonic character appears before him. | 12 | 14 |
| L95b In L95 family | Together with the demon against the child. | Having promised to give the child to the demon, the mother or father does not try to save him or her, but arranges for the child to fall into the demon's hands. Against all odds, the son or daughter is saved.[1] Motif L85 "Half-creatures, F525" (the character has only half a body (vertically) or only one leg, which does not prevent him from moving) [AKB]. See also text No. 35.[2] Voracity is a characteristic feature of šǝʔōl in Is 5:14, Hab 2:5, Pr 1:12, Ps 141:7 (see Gaster 1950:189, O’Callahan 1954:169). | 35 | 43 |
| L96 | The changed appearance is sold and returns (ATU 325). | The character has the ability to transform into animals or objects. Sold in this form, he achieves his goal and becomes human again. | 87 | 127 |
| L96a In L96 family | Oh! | A person sighs, after which a character named Oh, Uh, Hey-way, etc. appears. | 31 | 57 |
| L96b In L96 family | The demon is thrown into a cauldron. | A person encounters an ascetic, demon, etc. The latter intends to kill him by pushing him into a boiling cauldron or cutting off his head when he bows before the deity. The person asks the ascetic to do everything first, then pushes him into the cauldron or cuts off his head himself. | 27 | 35 |
| L96c In L96 family | He hasn't learned anything! | A young man is learning magic. In order for the sorcerer to let him go, he must pretend that he is incapable of learning. | 17 | 21 |
| L97 | Those rooted in the earth. | Seeing a character who is unable to move (nailed to the ground, his lower body rooted to the ground, petrified, completely absent), the hero himself manages to avoid a similar fate. | 22 | 20 |
| L98 | The man-eating owl. | The demon that carries off children and threatens heroes, people, etc., is the eagle owl; there is a race of owls that is hostile to humans. | 57 | 78 |
| L99 | Bring the skewer! | Having captured the character, the ogre orders him to bring wood or a spit to roast him. The character deliberately procrastinates, brings the wrong thing, or is helped to escape by some animal. | 20 | 19 |
| L100 | The Unrecognised Fugitive, D671. | A young man and woman fleeing from their pursuers take on the appearance of different but associatively related creatures or objects (a pond and a duck, a minaret and a muezzin, etc.). Usually, their pursuers do not recognise them. | 91 | 173 |
| L100a In L100 family | The pursuer abandons the transformed fugitive. | The fugitive transforms into a small object (stick, stone) or hides in a similar object. The pursuer, in anger, throws the object far ahead, unwittingly helping the fugitive to escape. | 13 | 18 |
| L100b In L100 family | The forgotten bride. | Having escaped from his pursuers, the young man parts with the girl, intending to return for her soon, but forgets her. When he is about to take another wife, the girl manages to restore his memory with the help of magic, and she marries him. Alternatively, the girl, who has briefly parted from her magical spouse, herself forgets him after an embrace or a kiss in her parents' house. | 51 | 106 |
| L100b1 In L100 family | Dialogue between the male and the female pigeons | The young man forgets his magic bride and meets another woman. At the last moment a bird tells the story about his real bride and he recalls everything. Usually two birds, a male and a female, have a dialogue in which the female can tell the male that he will be as cruel with her as this youth who has forgotten his bride. | 0 | 0 |
| L100c In L100 family | The chaste sorceress and seducers, D2006.1.1. | When a man comes to a beautiful woman who lives alone, she asks him to perform a trivial task (close the door, etc.) and uses magic to leave him in an awkward and uncomfortable position (holding the door handle, etc.) for the whole night. The next night, the same thing happens to another (rarely: the same) admirer. Each, ashamed, tells the others that he enjoyed it. | 23 | 28 |
| L100d In L100 family | Deceived admirers, ATU 1358C, 1730. | A man or several men pursue the love of a beautiful woman. Having agreed in advance with her husband, she pretends to agree, arranging a date (with each) for a specific time. Before the first suitor's desires are satisfied, the second arrives. The woman hides the first, then the second, and so on. The husband enters and the couple mocks the admirers who find themselves in a humiliating position. | 98 | 114 |
| L100d1 In L100 family | Mullah in the cradle. | A person endowed with (spiritual) power comes to a woman in the evening. When there is a knock at the door, the woman, having agreed in advance with her husband, tells the guest to lie down in the cradle and replies to her husband who has entered that their son is in the cradle. The man begins to turn the adult into a baby or threatens to do so: he shaves off his beard, knocks out his teeth, and grabs an axe to chop off his legs. The disgraced and exhausted guest runs away. | 10 | 12 |
| L100e In L100 family | The lover, the master and the guest, ATU 1358A, (ATU 1360B). | Before entering, the guest notices the mistress with her lover in the house. When the husband arrives, the guest pretends to be clairvoyant and shows the husband where the lover is hiding and where the food prepared for him is. | 41 | 51 |
| L100f In L100 family | Guest fleeing from his host, ATU 1741. | While the host is away, the guest is told that the host is going to kill or maim him, and imaginary evidence is presented. The returning host tries to stop the fleeing guest, who is convinced that he was warned for good reason. | 45 | 23 |
| L100f1 In L100 family | Lover fleeing from her husband, ATU 1725. | A worker (the young son of the master) arranges things so that the food prepared by the mistress for her lover, who is working in the field, goes to the master, and when the master goes to the man, not knowing that he is his wife's lover, the man thinks that the husband is coming to kill him and flees. | 45 | 22 |
| L100g In L100 family | The One-Legged Goose, ATU 785A. | A servant serves his master a roasted bird, one of whose legs has already been eaten. He tells him to look at the chickens, geese, etc., which are standing on one leg. When they run away, it becomes clear that they all have two legs. Usually, the servant says that if the master had scared the roasted goose, it would have shown its second leg too. | 40 | 24 |
Tradition and narrative counts are the stored catalogue totals for each entry.