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Berezkin/Duvakin Catalogue of Motifs

English translation, enhancements and additional metadata by Jonathan Fielder-White

Source: Berezkin and Duvakin's Analytical Catalogue · Original catalogue (Russian)

About the catalogue and its sources

Unless otherwise stated, narrative and tradition data comes from Berezkin and Duvakin's Thematic classification and distribution of folklore and mythological motifs by area (Analytical catalogue).

Original Berezkin/Duvakin catalogue (Russian)

The English translation uses AI assistance alongside manual verification. Errors may occur; consult the original source when in doubt.

L - Adventures: Monsters and evil spirits

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Ref Title ▲ Summary Traditions Narratives
L56 Fire in the belly of a monster. A large animal or monster perishes from a fire kindled in its belly. See motif K8A. 47 59
L29 Fish from a puddle. A person catches fish where it should not be, usually in a small forest pond isolated from running water; those who eat this fish die, undergo metamorphosis and/or are attacked by monsters. See motif L28. 18 24
L1c1 In L1 family Flight to the heavens. Fleeing from demonic characters, a group of men – relatives of a girl – ascend to the sky and remain there. See motif L1C. 15 18
L75 Flint kills his mother at birth. One of two brothers is the embodiment of evil; at birth, he cuts open his mother's body, killing her. 16 20
L132 Food theft: family conflict. When one member of a small (family) group, left alone, secretly eats food, this leads to serious conflict, often resulting in the murder of the guilty party. 5 5
L106b In L106 family For disappearance into another world. A girl, a young girl or (rarely) a boy loses an everyday object, usually carried away by water or wind. In search of the lost object, she (he) encounters powerful characters, returns the object and/or receives valuables. Traditions recorded only in Roberts 1994: 103-110 are highlighted in italics. 74 93
L42b1 In L42 family Frying pans are placed on top of each other. A character kidnapped by a demon advises him to stack pots, pans and other kitchen items on top of each other and climb up them. He does so, falls and breaks. 6 10
L1c In L1 family Fugitives turn into stars. Those fleeing from the monstrous bear ascend to the sky and turn into stars. 12 18
L42g3 In L42 family Gingerbread house. In the forest or in the sky, the character sees a house that is made entirely or partially of edible materials. 19 23
L39d In L39 family Give an apple to someone. A boy climbs a tree to pick fruit. A demonic character asks him to share, but not to throw the fruit on the ground, but to pass it from hand to hand. He grabs the boy and carries him away. 22 30
L94b In L94 family Give back what you don't know at home! A person promises to give to a supernatural character the first thing that comes their way (either something they have not yet seen in their own home, or something that is behind the door, etc.). The person thinks that they will have to give something of little value, but it turns out to be their own child. 55 117
L44a In L44 family Give me your liver! The demon demands that the man hiding in the shelter give him parts of his body. The man gives the demon parts of the body of a dead animal. The demon does not understand the deception and dies, giving parts of his own body in return. 17 29
L67 Gnawed wool. Having dug an underground passage to a lying monstrous hoofed animal, a small animal gnaws the wool from the place on the skin where the heart beats; the hero thrusts a spear or arrow into this place. See motif L66. 0 0
L9f In L9 family Golden nose or teeth. A person with a nose or teeth made of gold or silver is a sign of their demonic nature. 11 10
L94a In L94 family Grabbed by the beard. When a person leans over the water, a demon grabs him by the beard and releases him on the promise that he will fulfil his demand. 39 56
L39c In L39 family Grown from a seed. A boy (less often a girl) climbs a fruit tree that has just grown (usually from a discarded seed). A cannibal tries to force the boy (girl) to come down to the ground. 9 10
L100f In L100 family Guest fleeing from his host, ATU 1741. While the host is away, the guest is told that the host is going to kill or maim him, and imaginary evidence is presented. The returning host tries to stop the fleeing guest, who is convinced that he was warned for good reason. 45 23
L85 Half-creatures, F525. The character has only half a body (vertically). See also L85C, "Half-chicken". 124 243
L118 Hand caught in a log, H1532, ATU 38. One character provokes another to stick a part of their body into a split log (between two boards, etc.) and knocks out the wedge. 78 101
L74a In L74 family Hanged over the hearth. The enemy carries the hero away or tears off and carries away part of his body, after which he hangs his victim or part of his body (usually over a fire) in order to cause the victim torment. Another character rescues the hero himself or returns the stolen part of his body to him. 13 15
L42g In L42 family Hansel and Gretel, ATU 327A. The stepmother, and more often the father (usually at the insistence of his new wife), leaves the children in a deserted place or sends them into the forest. They end up in the house of a cannibal or cannibals, all (or at least one of them) survive and achieve success. 79 84
L96c In L96 family He hasn't learned anything! A young man is learning magic. In order for the sorcerer to let him go, he must pretend that he is incapable of learning. 17 21
L40c In L40 family He who buys the bridle leads away the camel. Relying on the ambiguity of the statement, the buyer of a cheap item claims rights to a much more valuable one. 3 4
L30 He who eats a snake wants to drink. The one who broke the food taboo experiences terrible thirst and drinks a huge amount of water. 15 21
L87 He who has tasted blood becomes a cannibal. A character accidentally tastes blood or human flesh, after which he devours himself and/or others. 31 31
L46 Head down. The character walks, climbs or descends upside down, or sees the world turned upside down. 61 76
L5c In L5 family Head-chaser, D1641.7, D992, D1602.12, R261.1. The monster head pursues celestial bodies, people, or attaches itself to someone else's body. See motif L5. 18 21
L90E In L90 family Heads on stakes. Human heads are impaled on stakes outside the house of a dangerous character, and one head is missing (or there is a wall of heads, with one missing). It is assumed that the head of the hero of the story should be there. 26 30
L1c2 In L1 family Hiding under the hearth. Fleeing from a demonic creature, the characters hide their children (younger brother or sister) in a camouflaged pit, usually under the hearth. See motif L1C. 11 11
L111 Hook from the sky. The inhabitants of the sky or shamans catch or want to catch earthly people with a hook, net, noose, etc., dragging them up into the sky (somewhere above) like fishermen pull fish out of the water; the inhabitants of the earth fish with hooks for fish, which in their own world are people or domestic animals. 20 23
L90c In L90 family Horns reaching the sky and the earth. One horn of an animal (deer, ram, bull, goat, wolverine) touches the ground, while the other is raised to the sky or reaches the sky. 8 8
L15d1 In L15 family Imaginary container of the soul. When a character is asked to reveal the location of his soul (death, power), he first gives an incorrect answer, and the questioner usually begins to show signs of attention to the corresponding locus or object. 43 52
L92 Imaginary help to a cannibal. A demon, a cannibal, chops down a tree or rock on top of which the hero has climbed. Another character offers the cannibal a rest and takes over the chopping, but only spoils his work or (among the Athapaskans) kills him as soon as the cannibal hands him his axe. (African variants are clearly borrowed from Eurasia). 30 48
L118a In L118 family Imitation: knife to the throat. In order to get rid of a dangerous but foolish character, a person performs certain actions, which the character imitates, not realising that he is harming himself. 20 18
L117 Imposed companions. A man is going to get married. An evil spirit, animal, etc. imposes itself on him as a companion (usually helping, feeding, or simply saying that it will then demand half of the wife). After the wedding, it takes or tries to take the bride or demands to share her. In the Gola text, a man obtains a wife for the spirit and demands to share her. 14 16
L42c In L42 family Inside the house, outside the house. The character hides from someone stronger, sometimes inside the house, sometimes outside, and the stronger character cannot catch him. 18 20
L9b In L9 family Knife elbows, G341. The sharp elbows or (rarely) knees of the character resemble knives or awls. 28 31
L8 Left behind feet and heads. A character temporarily leaves parts of his body behind. Usually, a marriage partner makes it impossible to reunite the departed part with the remaining one. See motif L5. (For the Greater Southwest, Mesoamerica, and the Central Andes, borrowing from the Spanish or the superimposition of a borrowed motif on a pre-Columbian one cannot be ruled out. Stories of witches leaving parts of their bodies behind, which are of European origin, are widespread among the Spanish-speaking population of the Caribbean). 34 48
L37a1 In L37 family Let the wolf eat the fool, ATU 461A. A man sets out to discover the reason for his misfortunes. Others also convey their questions to him. God (fate) replies that a predator (wolf, lion, bear) must eat the fool, and in order to help the others, one must dig up treasure, marry the queen, etc. The man refuses to marry, take the gold, etc., because he has not received direct instructions to do so. The predator decides that he will not find anyone more foolish. 25 23
L15f In L15 family Life in a necklace, ATU 412. A young woman or man dies as soon as her or his jewellery (rarely: organ) is stolen, and comes back to life when the jewellery is returned or when the antagonist removes it. 11 12
L15i In L15 family Life in hair. A man dies or loses his strength (or pretends to) if his hair is cut or pulled out. 24 25
L15d In L15 family Life is stored outside the body, E700, (ATU 302). The object in which the character's life is concentrated is separate from him. The character dies when this external form is destroyed. 207 399
L95a In L95 family Light on water. A person sees lungs or a liver lying on the ground or floating in the water. As soon as he touches them, a demonic character appears before him. 12 14
L90d In L90 family Lips nailed to the sky and the earth. The hero attaches the upper lip (jaw) of the monster to the sky, and the lower lip to the earth. 4 3
L21A In L21 family Live and dead mice. A character sitting in a tree throws small animals (snakes, mice) down, distracting the attention of a cannibal who is trying to catch them. When he throws dead animals instead of live ones, the cannibal grabs him. 2 2
L100f1 In L100 family Lover fleeing from her husband, ATU 1725. A worker (the young son of the master) arranges things so that the food prepared by the mistress for her lover, who is working in the field, goes to the master, and when the master goes to the man, not knowing that he is his wife's lover, the man thinks that the husband is coming to kill him and flees. 45 22
L108f In L108 family Luring from the bottom. A character (girl, boy) finds themselves in water, and the antagonist lures them to shore by imitating the voice of their father, brother or sister. 4 5
L72 Magical flight, D672, D673. While fleeing, the character throws small objects behind him, which turn into powerful obstacles in the path of the pursuer, or (rarely) the pursuer creates such obstacles in the path of the fugitives. (Cf. SUS 1979, No. 313H = AA 313I, p. 114: escape by throwing magical objects, an episode in various types of fairy tales). 252 551
L103 Magical flight: Atalanta, R231. The fugitive throws or creates objects behind him, which the pursuer, wasting time, collects, eats or destroys, even though they do not hinder his progress. 128 167
L129a In L129 family Man asks, wolf explains. The wolf or demon is asked why its body parts and organs are the way they are. It explains sequentially. 17 16

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Tradition and narrative counts are the stored catalogue totals for each entry.