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Berezkin/Duvakin Catalogue of Motifs
English translation, enhancements and additional metadata by Jonathan Fielder-White
Source: Berezkin and Duvakin's Analytical Catalogue · Original catalogue (Russian)
About the catalogue and its sources
Unless otherwise stated, narrative and tradition data comes from Berezkin and Duvakin's Thematic classification and distribution of folklore and mythological motifs by area (Analytical catalogue).
Original Berezkin/Duvakin catalogue (Russian)
The English translation uses AI assistance alongside manual verification. Errors may occur; consult the original source when in doubt.
All motif categories
| Ref | Title | Summary | Traditions | Narratives ▲ |
|---|---|---|---|---|
| K8e In K8 family | Penetrates inside through the anus. | The character penetrates inside the creature through the anus. | 54 | 48 |
| L114a In L114 family | The awake child. | One (usually the youngest) of a group of young men or women (children) ends up with them in the house of a cannibal or cannibaless. The cannibal intends to kill the newcomers when they fall asleep. The youngest consistently answers the cannibal's questions about why he is not sleeping, forcing him to carry out new tasks instead of attacking the sleepers. The brothers (sisters) run away and escape. | 34 | 48 |
| L17a1 In L17 family | One-eyed, two-eyed and three-eyed, ATU 511. | Characters with a sequentially increasing number of eyes follow the hero or heroine. He or she puts the eyes to sleep one by one, but forgets about the last one. | 32 | 48 |
| L8 | Left behind feet and heads. | A character temporarily leaves parts of his body behind. Usually, a marriage partner makes it impossible to reunite the departed part with the remaining one. See motif L5. (For the Greater Southwest, Mesoamerica, and the Central Andes, borrowing from the Spanish or the superimposition of a borrowed motif on a pre-Columbian one cannot be ruled out. Stories of witches leaving parts of their bodies behind, which are of European origin, are widespread among the Spanish-speaking population of the Caribbean). | 34 | 48 |
| L92 | Imaginary help to a cannibal. | A demon, a cannibal, chops down a tree or rock on top of which the hero has climbed. Another character offers the cannibal a rest and takes over the chopping, but only spoils his work or (among the Athapaskans) kills him as soon as the cannibal hands him his axe. (African variants are clearly borrowed from Eurasia). | 30 | 48 |
| M12 | The unlucky hunter. | Unable, unwilling or unable to obtain game (fish), the hunter (fisherman) cuts flesh from his own body, removes his own entrails and collects his blood. He usually offers this to others under the guise of animal meat or fish. Alternatively, a woman cuts flesh from her own leg to feed her husband. | 44 | 48 |
| M39a6 In M39 family | Misunderstood instructions: shorten the road | During the journey, a person allegorically asks someone else to say something, sing, etc., so that time on the road passes faster. He understands instructions literally by doing ridiculous actions. | 40 | 48 |
| M39a8 In M39 family | Drops a door from a tree, (ATU 1653) | A fool drags the door from the house with him (usually raises it to a tree and drops it, scaring the crowd under the tree). | 35 | 48 |
| M90 | The snake guesses the material, ATU 857 | Someone asks a riddle about the material from which a particular item is made or originated. It is almost impossible to guess, but the character learns the secret, forcing the hero or heroine to fulfill the conditions set. (Usually requires a girl to marry him). | 59 | 48 |
| A18 | The Sun Boat. | The sun and/or moon make their daily and/or nightly (underground, in the land beyond the horizon, behind the mountain) journey in a boat. | 33 | 49 |
| E9c In E9 family | The magical wife – a hoofed animal. | Before meeting the hero, his beloved (wife, helper) has the image of a large hoofed mammal (buffalo, antelope, moose, etc.). | 31 | 49 |
| I50a In I50 family | Severed legs of an animal helper. | A demon sequentially tears off the legs of an animal that helps the hero (usually the horse on which the hero rides). | 34 | 49 |
| J56 | The trial of the sons. | A son or sons come to their father. He subjects them to trials in order to find out whether they are really his children. | 24 | 49 |
| K102a5 In K102 family | Fill the vessel with tears. | A woman must fill one or two vessels with tears (less often with blood). Usually, after this, her punishment must end, or the punishment depends on which of the vessels contains more tears. | 35 | 49 |
| K27w In K27 family | The monster kills the person giving the tasks. | The task giver demands that a dangerous creature be brought to him or that something belonging to a monster or deity be brought to him. The hero fulfils the task, but the beast, monster, deity or the object itself kills the task giver. See motif K27. | 53 | 49 |
| K29b In K29 family | Safe in the pit, K959,6. | The hero is asked to climb (or is thrown) into a pit, which is immediately filled with earth or into which a pole or stones are lowered, K959,6 (Posthole murder). The hero proves his magical abilities by climbing out of the pit alive. | 38 | 49 |
| K51 | The deceived wife. | The husband feigns death, disappears or leaves home for a long time. The wife learns that he has married another woman, finds and, as a rule, kills her husband and/or rival, who often turns out to be a creature of non-human nature. | 34 | 49 |
| K54 | Two giants. | When encountering a giant or a snake, a person is afraid of it, but it becomes his friend and asks for help when he is fighting another giant or snake. The person fulfils the request. | 37 | 49 |
| K67d In K67 family | Escape from the worker, ATU 1132. | The worker (rarely – the husband) annoys the master (wife) so much that he or she decides to run away, taking his or her property with him or her. The worker hides in a sack (chest) with his or her property and ends up back where he or she started. | 54 | 49 |
| L20 | Raw meat eater. | Two characters hunt or fish. One turns out to be or becomes a cannibal, which is revealed when he/she begins to eat the prey raw. | 22 | 49 |
| L31 | The sticky monster. | People are forced against their will to follow an object, person or animal (usually sticking to it) that carries them far away (usually into water or into the sky). | 34 | 49 |
| M135b In M135 family | The wolf regrets his own stupidity. | The wolf (rarely a bear, jackal, or fox) approaches various domestic animals in order to eat them, but, agreeing to fulfil their request, remains hungry and usually beaten, and in conclusion blames himself ("Am I a mullah to read?" etc.). In the Persian version, the fox tells him this. | 44 | 49 |
| M136 | The Unknown Sickle, ATU 1202. | Some people do not know what to do with cutting tools; they try to use tools that are not suitable for these purposes instead. | 41 | 49 |
| M162 | Eats his own entrails, ATU 21. | The character pretends to eat his own entrails or flesh. Others believe him and kill themselves (or allow themselves to be killed). | 45 | 49 |
| M185a In M185 family | On the tail of the winner (all versions). | Birds, animals and fish compete to see which of them can run or swim fastest or climb highest. A weak character secretly clings to the winner and wins. There are 3 key versions: A. Birds argue about which of them will fly higher or arrive first. The winner is the one whose victory seemed unlikely, ATU 221A. See motif A23C.B. A fast and a slow animal (insect) agree to compete in speed or long jump. The slow one secretly clings to the fast one, ATU 275B. See motif M185.C. Two fish (fish and whale, dolphin, squid and dolphin, etc.) agree to race each other. The weaker one secretly clings to the tail (fin) of the stronger one and wins, ATU 250. See motif M186A. | 90 | 49 |
| B18 | Light in a vessel, A1411.1. | Daylight, warmth, sun or moon are stored in a vessel, under a vessel, under a cover, in a bag, etc. | 47 | 50 |
| B68b In B68 family | Attempted to frighten God. | A character who, by his appearance, behaviour or unexpected appearance, tried to frighten God (people) and was turned into an animal (with a different appearance than before) for this. | 35 | 50 |
| B71 | Dancing flashes. | The northern lights are people who play, dance, sit by the fire, fight or run with torches. | 43 | 50 |
| C13 | Rebellion of things. | During or before the onset of a global catastrophe (flood, darkness) or (surui) at night, household items and/or stones, trees, domestic animals, and cultivated plants turn into wild birds and animals or come to life. | 36 | 50 |
| E38a In E38 family | People made of pieces. | A woman gives birth to a pumpkin, a sack, a sack of eggs, a piece of meat. The newborn is cut open, chopped up, and the pieces turn into new people; numerous people (usually tribal ancestors) emerge from the pumpkin or sack. Cf. motif F47. | 23 | 50 |
| E9f In E9 family | The magical wife – the parrot. | Before meeting the hero, his beloved (wife, helper) has the image of a parrot. | 18 | 50 |
| F87 | Children transformed by a snake woman, ATU 425M. | The snake forces the girl to promise to marry him and takes her to the underwater world. She is happy there and gives birth to a son (or two sons) and a daughter. Together with her children, she returns to visit her relatives. They learn what words she must use to summon her husband from the water, summon him, and kill him. Seeing the bloody water, the snake's wife (rarely the snake himself) turns the children and herself into birds or trees. | 28 | 50 |
| I115a In I115 family | Orion and the Pleiades – men and women. | In the same narrative or ritual context, Orion and the Pleiades are contrasted with each other as a man or men and a woman or women. (Orion is usually associated with the masculine principle, and the Pleiades with the feminine; among the Mentawai, d'Antracast, and Toba peoples, the opposite is true (due to regional influences? In Indonesia and eastern South America, the Pleiades are usually a group of young men). | 36 | 50 |
| I13b In I13 family | Horned snake, B91.3. | A small snake, the snake has horns on its head. | 41 | 50 |
| I15 | Creatures without mouths. | Creatures without mouths. Usually, their mouths are cut open later. | 44 | 50 |
| I76a In I76 family | The snake becomes a dragon. | After a certain period of time, a snake or fish transforms into another creature, usually a dragon. | 35 | 50 |
| I87aa In I87 family | The Great Bull, ATU 1960A. | Describes a giant bull (rarely: horse): head in one field, body in another; a bathhouse on its tail, a lake on its back; people standing at its head and tail have to walk a long way to meet each other; etc. Usually the bull is killed and eaten (by people in Baltic-Finnish traditions and in Olonets antiquity; by birds in most southern traditions). | 28 | 50 |
| I87b In I87 family | The braggart meets the strongest, ATU 650B. | When a character boasts of his strength, his wife or mother says that there is someone stronger than him. He sets off in search and meets a character who is much stronger than him. {ATU gives a definition of the plot (or rather, the first half of it) similar to ours, but some of the references given refer to our motif i87a, not i87b}. | 32 | 50 |
| J52b In J52 family | Heroes – female hares or baby hares. | A girl, young woman or children associated with hares (rabbits) are heroes-victors or successful tricksters. | 26 | 50 |
| J6 | The children of the murdered woman grew up in the house of their antagonists. | A pregnant woman is killed (and eaten). Twins are taken from her womb, who are usually also destined to be eaten, but they escape, live (secretly) in the house of their antagonists, and take revenge on them. | 32 | 50 |
| J7 | Substituted signs. | A woman or girl sets off to her husband (beloved) or relatives, or a man sets off to find a bride. She or he loses their way after a certain character substitutes the signs indicating the way. See motif J12. | 46 | 50 |
| K153 | Grateful animals and an evil man, ATU 160. | A man does a favour for several (potentially dangerous) animals and another man. The grateful animals help him, but the man betrays and harms him. | 65 | 50 |
| K15a In K15 family | Substituted weapon. | The hero secretly replaces the weapon or magical tool of a powerful character with a worthless fake. Traditions in which the replaced weapon belongs to Grom are highlighted in bold. | 38 | 50 |
| K22b In K22 family | Man helps the inhabitants of another world. | The inhabitants of another world are attacked by certain enemies. A human helps them to defeat these enemies, because these creatures are not dangerous to humans. See motif K22. | 58 | 50 |
| K99b In K99 family | Midnight escape: change of partner, (ATU 856). | A girl and a young man agree that he will take her away at night. The young man is late or falls asleep, and the girl is taken away by someone else who happens to be at the appointed place. | 39 | 50 |
| L23d In L23 family | Transformations of the captured woman. | A man captures a desirable woman. Trying to free herself, she transforms into various substances, materials, animals or (urarina, setebo) orders various dangerous animals to attack the man who captured her. | 25 | 50 |
| L42e In L42 family | Captured again, ATU 327C. | A demon catches the hero, carries him home, but the hero escapes on the way. The demon returns, catches the hero again, and this time brings him to his home. Or the demon catches and carries several children, but they escape on the way, leaving only one, whom the demon brings to his home. | 43 | 50 |
| L81a2 In L81 family | The demon comes to drink the girl's blood (ATU 709A). | While the men are away, a demonic character comes to a girl or woman to drink her blood or otherwise torment her. The men notice that the girl is wasting away, but at first they do not know the reason. | 42 | 50 |
| M199k In M199 family | Digging a well, ATU 1049. | A giant sends a man to fetch water, giving him a huge wineskin. The man cannot carry so much water, but he gets out of the situation with a trick (he pretends that he wants to bring the whole well at once; that he has already brought the water and drunk it all himself; etc.). | 40 | 50 |
| M22 | The crane as saviour. | A long-necked bird living near water (crane, heron, bittern, swan) helps a fugitive escape from his pursuer (indicated in brackets). See motifs J44-J46 (a long-legged bird helps cross the river, drowns the pursuer; the pursuer is most often a bear). | 56 | 50 |
Tradition and narrative counts are the stored catalogue totals for each entry.