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Berezkin/Duvakin Catalogue of Motifs
English translation, enhancements and additional metadata by Jonathan Fielder-White
Source: Berezkin and Duvakin's Analytical Catalogue · Original catalogue (Russian)
About the catalogue and its sources
Unless otherwise stated, narrative and tradition data comes from Berezkin and Duvakin's Thematic classification and distribution of folklore and mythological motifs by area (Analytical catalogue).
Original Berezkin/Duvakin catalogue (Russian)
The English translation uses AI assistance alongside manual verification. Errors may occur; consult the original source when in doubt.
All motif categories
| Ref | Title ▲ | Summary | Traditions | Narratives |
|---|---|---|---|---|
| E16 | Oars with edges. | When rowing, the character first tries to push off with the edge rather than the flat side of the oar. | 8 | 9 |
| D13A In D13 family | Obscene dance for the Sun. | To amuse the owner of fire or the Sun, others dance indecently, imitate copulation, display their genitals, or publicly relieve themselves. | 23 | 28 |
| K27m In K27 family | Obtain an animal of unusual colour. | Task: to kill and bring an animal of a certain (often unusual) colour or shape. See motif K27. | 36 | 30 |
| K27yy1 In K27 family | Obtain the feather of a dangerous bird. | The hero brings the feather (feathers) of a dangerous bird. | 30 | 29 |
| M18b In M18 family | Obtaining a hook, spear. | The character turns into a fishing object in order to carry away the hook with which he is caught or the spear with which they try to harpoon him, or he turns into a hook to catch fish. See motif M18. | 18 | 2 |
| M18a In M18 family | Obtaining arrows. | The character becomes the object of fishing or hunting, presenting himself as a target for enemies. Numerous arrows, darts, and harpoons stick into his body without causing harm, and he carries them away. See motif M18. | 0 | 0 |
| C6d In C6 family | Obtaining land from the underworld. | Land (earth) is formed from a small amount of solid substance (silt, sand, clay, mud) that characters retrieve from the underworld (usually from the bottom of the ocean). | 109 | 233 |
| C6j In C6 family | Obtaining land in connection with the creation of man. | In the same narrative, the story of the creation of man and the attempt to prevent it follows immediately after the story of obtaining earth from the bottom of the sea or from the underworld. | 22 | 26 |
| K27y In K27 family | Obtaining material for arrows. | The hero is sent or, knowing the danger, goes himself to obtain various (at least two) materials for making a bow and arrows (shafts, feathers, bowstring, flint for arrowheads, paint for colouring arrows, resin and fibres for attaching the arrowhead or feather to the shaft, etc.). See motif K27. | 35 | 38 |
| B100 | Obtaining sleep. | In the past or in a distant land, sleep was unknown; a certain character embodies sleep, possesses it or teaches how to sleep; sleep is a special substance. | 16 | 16 |
| D4c In D4 family | Obtaining summer. | Characters obtain the warm season from its original owners. | 24 | 36 |
| K27yy3 In K27 family | Obtaining the fruits of a dangerous tree. | The hero must bring the fruits growing on a tree that is dangerous to approach. | 4 | 5 |
| K27yy4 In K27 family | Obtaining tree bark. | The hero must obtain tree bark, which is fraught with danger. | 11 | 14 |
| C6 | Obtaining valuables from the underworld. | In texts with an emphasis on authenticity, characters dive or otherwise descend into the underworld to bring back to earth something desirable that is located at the bottom (deep below) (aka "The Earth Diver" motifs) (cf. fairy tale motif k27x9). | 188 | 439 |
| A2c3 In A2 family | Octagonal moon. | In extraordinary circumstances, the moon or sun are not round, but have corners and edges. | 4 | 3 |
| F54 | Oedipus, ATU 931, 933. | Unaware of this, the son and mother (Konkani: daughter and father) engage in sexual relations and later learn of the incest they have committed. Cf. motifs c8c, f54e. | 54 | 39 |
| M160 | Offence by word and deed, ATU 159B. | A strong wild beast and a man become friends. The man breaks a promise he made to the beast or speaks contemptuously of it. The beast asks to be physically hurt and says that the insult inflicted by words is more painful (the wound on the body has healed, but the wound on the soul has not; or the beast dies of grief). | 37 | 27 |
| B60 | Offended children leave their parents. | Children come into conflict with their parents over food, clothing, attention, which they demand and which their parents deny them, and sexual behaviour. They leave their parents, turning into birds, bats, stars or atmospheric phenomena. See motif B59. | 32 | 48 |
| H47 | Offended sky/earth. | The sky (celestial deity) or Earth is offended by people's behaviour towards them and reacts accordingly. | 40 | 70 |
| L96a In L96 family | Oh! | A person sighs, after which a character named Oh, Uh, Hey-way, etc. appears. | 31 | 57 |
| M39a3a In M39 family | Oiled soil | fool sees cracked objects (stumps, earth, ice), sympathizes with them and oils them. | 8 | 10 |
| H7i In H7 family | Old Age, Hunger, Illness. | Old Age, Illness, or Hunger are special characters, but Death is not mentioned. | 7 | 9 |
| B114 | Old men-anteaters. | A woman or a man (usually old people) turn into anteaters (the origin of anteaters). | 10 | 18 |
| M185 | On the tail of the fastest (animals), ATU 275B. | A fast-footed animal (a flightless bird) and a slow character agree to compete in running or jumping. The slow character secretly clings to the fast-footed one (or to a vehicle) and at the finish line pretends that he has run at the same time as him (jumped just as far) or before him. | 69 | 112 |
| M185a In M185 family | On the tail of the winner (all versions). | Birds, animals and fish compete to see which of them can run or swim fastest or climb highest. A weak character secretly clings to the winner and wins. There are 3 key versions: A. Birds argue about which of them will fly higher or arrive first. The winner is the one whose victory seemed unlikely, ATU 221A. See motif A23C.B. A fast and a slow animal (insect) agree to compete in speed or long jump. The slow one secretly clings to the fast one, ATU 275B. See motif M185.C. Two fish (fish and whale, dolphin, squid and dolphin, etc.) agree to race each other. The weaker one secretly clings to the tail (fin) of the stronger one and wins, ATU 250. See motif M186A. | 90 | 49 |
| K21 | Once in heaven, she gets married. | A girl ends up in the sky and gets married there. | 32 | 46 |
| M62f In M62 family | One assistant eats another | The character asks others to come to him (to help him with his work or get a debt). Those called come, each next one is stronger than the previous one and eats it (or the previous one runs away when they see him), the last two die when they fight each other. | 7 | 15 |
| A19D In A19 family | One carries the Sun, the other the Moon. | Two characters carry the luminaries across the sky – one carries the sun, the other the moon. | 4 | 4 |
| H43 | One creates the body, and another the soul. | One character creates people's bodies, while another brings them to life. | 32 | 59 |
| B1c In B1 family | One creator deceives another. | Two creators agree that the older of them (the main creator) will be the one whose object is in a certain state (usually: whose tree or flower grows or blooms earlier). While one was asleep or absent, the other switched the objects and deceitfully achieved primacy. | 13 | 13 |
| I87a In I87 family | One creature is larger than another. | A character of gigantic size turns out to be small in comparison with a character of even greater size, or the same character turns out to be small in some episodes and gigantic in others. | 43 | 63 |
| L130 | One eye for three, ATU 328*. | Two or more characters have only one eye between them. | 14 | 18 |
| K27g3 In K27 family | One falls – all fall. | To fell all the trees in the forest, a man fells one (lightly touching it with an axe), after which all the trees fall. | 10 | 10 |
| L15g1 In L15 family | One family member kills another, knowing his secret. | A person knows a secret on which the life of a loved one (husband, son, wife) depends and, after a quarrel, commits an act that is insignificant to an outside observer but leads to the immediate death of the other. | 4 | 5 |
| M62e In M62 family | One field and two employees | A weak character alternately negotiates with two strong ones to cultivate the site. Each of the strong works in due time and does not know about the existence of the other. As a result, a weak character takes the entire crop. | 6 | 7 |
| A43 | One foot is shod, the other is not. | The character runs away in a hurry and undergoes a metamorphosis, turning into a bird or rising into the sky. He is missing one trouser leg, or a shoe on one foot, or one mitten. | 17 | 30 |
| F46 | One for all. | At the beginning of time, two or more men (human-animals) had only one woman. | 23 | 30 |
| J53c In J53 family | One friend kills another. | Two women live together, both have children. One of them leaves the house with the other, kills her and (later) eats her. The children of the murdered woman escape. See motif J52. | 26 | 45 |
| M138a In M138 family | One hundred and twenty years of life. | At the beginning of time, the supreme deity or his messengers decided that the maximum lifespan of a human being would be 120 years. | 7 | 7 |
| L27a In L27 family | One is eaten, the other runs away. | Sisters or a brother and sister find themselves in the same house with an antagonist, whose cannibalism they only suspect or do not know about at all. Trying to hide his actions, the cannibal eats one of the children. The other child or children run away, and the antagonist pursues them. Usually the antagonist is female, and if male, he has no sexual interest in his victims. (In the Central Andes, the plot may have been borrowed in the 19th century from Chinese migrants; see motifs J47, M21). | 11 | 22 |
| E31a2 In E31 family | One is her father, another is her brother, and this one is her husband. | The girl must be given to one of several men. She herself or someone else explains that one of the suitors can be called her father, another her brother (etc.), and only one can be her husband. | 14 | 14 |
| K125 | One of the subjects is a traitor. | The pursuer asks various objects where the hero is hiding or where he has run. Everyone remains silent, but one of the objects betrays the hero. | 45 | 53 |
| L89 | One secretly feeds another. | One person, wishing to harm another, secretly gives him certain food to eat or a certain object to use. As a result, the other person dies (usually undergoing a metamorphosis). Cf. motif K82a. | 18 | 16 |
| K40 | One will be eaten today, another tomorrow. | Two (rarely more) characters consider themselves doomed to death, but the one whose death will come later rejoices, while the one whose death will come earlier grieves. Cf. motif N30. | 20 | 27 |
| A11b In A11 family | One-eyed luminaries. | The sun or moon has one eye (usually the second eye is knocked out or sucked out, but sometimes the reason is not explained; among the Munduruku, the sun of the rainy season has lost both eyes, while the sun of the dry season has retained both). See motif 11A. | 33 | 41 |
| L17a1 In L17 family | One-eyed, two-eyed and three-eyed, ATU 511. | Characters with a sequentially increasing number of eyes follow the hero or heroine. He or she puts the eyes to sleep one by one, but forgets about the last one. | 32 | 48 |
| L85F In L85 family | One-legged. | The character has only one leg (and one arm), which does not prevent him from moving. Unlike motif L85 (half-creatures), the character has a complete body, not divided in half vertically. | 39 | 43 |
| I87ab In I87 family | Only a child can move it. | Strong men or a crowd of people cannot move the body of a dead animal or the leg of a motionless person, but a child or a woman can do it easily. Cf. motif B83. | 15 | 24 |
| K74a In K74 family | Only the hero defeats the demon and follows in his footsteps. | A demonic character arrives and mocks one of the men remaining in the house. When the hero remains, he defeats the demon and follows in his footsteps to where he dwells. Cf. motif K74 (an unassuming and weak-looking man approaches a warrior preparing dinner; he eats everything, ties up, beats or kills the cook. When the hero remains to cook, he defeats the demon). | 80 | 56 |
| L15J In L15 family | Only with fire. | The character can only be killed by fire. | 17 | 14 |
Tradition and narrative counts are the stored catalogue totals for each entry.